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Pro Mix
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After two decades and 100+ vinyl releases I offer mixing and mastering services & mix feedback, with fast and reliable delivery

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Listen Here

A Spotify playlist of my recent mixes and masters

VOCAL MIXING

95

  • Instrumental & vocals
  • ✓ Up to 3 stereo stems
  • ✓ Analog gear
  • ✓ Mastering
  • ✓ Client revisions
  • SEND REQUEST

BASIC MIXING

125

  • Smaller projects
  • ✓ Up to 15 stereo stems
  • ✓ Analog gear
  • ✓ Mastering
  • ✓ Client revisions
  • SEND REQUEST

COMPLETE MIXING

190

  • Larger song projects
  • ✓ 100+ multitracks
  • ✓ Analog gear
  • ✓ Mastering
  • ✓ Client revisions
  • SEND REQUEST
  • Save time for creativity
    Leave technical details to a mixer, focus on creating, and spend less time worrying about mix problems

    Get better opportunities
    Impress industry peers, record labels, and potential collaborators with stand-out productions that can help to elevate your career

Have questions?
Get in touch for a chat!

  • Your music should sound great no matter where it's played. I can ensure your tracks have the same impact across streaming, physical formats, and all listening environments—from big systems to earbuds.

    Be sure every track you release sounds consistent, just like in mainstream music where every song is mixed by a dedicated mixer.

  • My process ensures a quick & friendly collaboration with fast delivery, so you can keep moving without delays or stress

Audio

  • I've had a long career in electronic music, releasing tracks under the names Agaric, Headroom, and many others. In the late 90s and early 2000s, my solo and group projects landed on labels like Drumcode, Synewave New York, and Planet Rhythm. Things took off in 2004 when Jeff Mills licensed a Headroom track for his now classic 'Exhibitionist' mix, leading to more DJ tours, releases, and remixes.

    In 2005, I started the We Are label, known for its iconic colored 10” vinyl EPs. Since then, I’ve released albums on Josh Wink’s Ovum, licensed tracks to Cocoon, and mixed and mastered over 100 artists—many of whom have become repeat clients and good friends.

Artists I Have Worked With

17 Hippies, 2Aurora, Adam Kenneth & Tom Ginzburg, Adam Beyer, Adore, Aero, AHXAT, Aiken, Alex Zola, Alexander Wirth, Amalle, Anders Hellberg, Apoteoz, Arbitrage, Balmishev, Barac, Beneath Usual, Bnjmn, Boncalo Denis, Brizman, Cassegrain & Tin Man, Chris Flannigan, Christian Burkhardt, Christian Schiemann, Ciphr, Colophon, Cult, Dachshund, Daglig Verksamhet, Danielle Nicole, Danny David, David Labeij, Del Fonda, Dieru, Direkt, Distant Echoes, DJ Skull, DJ Skurge, Doubting Thomas, Drifting.Dubs, Dubphone, Dylan Fogarty, Echologist, Edgar Peng, Eddie Fresco, Efdemin, Eli Sab, Emiliano Martini, Enzo Leep, Etzky, Evray, Felipe Cobos, Fhase87, Filou, Fred Mann, G-Man, Gianluca Pegoiani, Giacomo Stallone, Giorgio Maulini, Glenn Wilson, Guedes, Hadone, Hugo Rolan, Hypnobombia, Inland, Jamahr, Jamaica Suk, Järnbörd, Jiman, Jo.an Julian & Randolph, Joel Mull, Johanna Knutsson, John Gürtler & Jan Miserre, Johnny D, Julien Chaptal, Just Ellie, Kalman, Kim Kemi, Lauhaus, Liviu Groza, Luciano, M.F.S. Observatory, Mandarin, Mark Broom, Markus Homm, Marseeey, Matheiu, Mattu, Michaelis, Mihai Popoviciu, Mike., Modeling Motion, Moises, Møsta, Mr. Deka, Museum, Nathanael Harwood, Nicolas Duvoisin, Nik Nazarov, Nils Twachtmann, Odrakir, P.Lopez, PACH, Perm, Peter Van Hoesen, Pinto, Pojkroom, Radial, Reber, Rhyw, Rods Novaes & Nik Ros, Roża, Sascha Dive, Sascha Sonido, Shonky, Sonuit, Sophia Saze, Suburb Beat, The Official Bug, Thomas A.S., Triad, Tripeo, Tripio X, trs., Tyler Pope, Unus Emre, Uun, Vakat, Vesy, Versho, Vern, Viceversa, Vincent Casanova, Whaarton, Yapacc

Mixing a Track To Sound Great

Can be tough, especially in the early stages of your production journey. I’ve been there, since I’ve worked with making records for over 20 years now.

With my services I help producers achieve a cohesive, finished track by aiding with the mixing stage, and they can focus on the music making.

Interested in getting a mix done? Write me about your project!

What You Can Expect

  • Improve your chances of getting noticed by labels and clients with a high-quality, standout production

  • Focus on what's important. Create music while I handle technical details, and turn the production into a collaboration

  • Be assured that your music is made to industry standards before it gets released and receive expert feedback in the process

How It Works

  1. Get in touch and tell me about your music

  2. I handle the details and schedule a session

  3. collaboration starts, and you’ll soon get a mix to review!

Here’s What You Get

  • Dynamic Control

  • Expert EQ Balancing

  • Stereo Enhancement

  • Masking Reduction

  • Vocal Processing

  • Advanced Sidechain Compression

  • Detailed Automation

  • Phase Correction

  • Analog Mix Bus

  • Precision Editing

  • Low-End Management

  • Mid-Side Processing

  • A High-Resolution Mix

  • Revision Flexibility